“a” = the open, forward 1st sound of “father”,
“e” = the sound of “bed”
“É”” = the sound of the Standard English vowel in “call”. Used for the Latin “o” sound
BACH
Mvt I
Bar 57-58 on the top A modify the vowel to “a”, then modify “-sis” to “-sas”
Bar 78 “-ri-” becomes “-re-”, same in bars 82, 98
Bar 93-94 “in” becomes “en”, remove the “x” AND the staccato from “ex-“ and modify the vowel to “a”. “-cel-sis” becomes “-chal-sas”. (entire phrase: “en a-cha-sas”) This allows a more legato approach to the high “B”.
Bar 99 “-cel-sis” becomes “-chal-sas”. (as at bar 94)
Bar 101 The tempo relationship between the 3/8 and the 4/4: the 8th note of the two sections is almost equal. The hemiola grouping of the 3/8 sets the quarter-note pulse of the 4/4.
Bar 106 “pax”: avoid “pox” like …well the pox! The “a” must be open and forward. The pitch here is quite a problem because of the “uh” in the sound. Same at bars 111, 132, 133-134, (in other words EVERYWHERE.)
Bar 107 “hominibus” should be sung as “É”-me-ne-bus” (see key above for how “É”” should sound). Pitch problems are resulting from a closed “o” sound on “hom-“ like the sound of “rote.” Keep the “o” open and forward, should more like Standard English “jaw”. This is true of the first vowel of “bonae” and “voluntatis” as well!
Bar 127 Here is a better suggestion for the high A: for “-mi” use “ma”, here and at 86, 149, and at 173. NOTE: This is specifically for the approach to the high “A”. In other cases, we modify to “me”, as below.
Bar 129 Modify “-tis” to “-tes”, here and at 151, and 175.
Bar 135 “-mi-ni-bus bo-” becomes “-me-ne-bas ba-“.
Bar 158 Modify “ho-mi-“ to “ho-me-“, same in 164.
Bar 159 Modify all of “-ni-bus bo-“ to “-na-bas ba”. (all “a”)
Bar 175 “-lun-“ becomes “-lan_”.
Mvt III
Bar 1-2 “prin-ci-pi-É””, not “prin-ci-pi-oh”
Bars 7-9 Modify “-o-“ to “-a-“, same at 17-19, 82-84, 119-121
Bar 12 If you are not already doing it, “-ci-“ become “-ce-“
Bar 13 Last note, modify to “-ca-“
Bar 20 Modify the entire bar to: “-ram en se-ca-la se-ca-“
Bar 29 add a cresc mark, as a reminder
Bar 53 As mentioned in rehearsal Sunday: “nunc” becomes “nanc”, also at 86, 101.
Bar 57 Last note modify to “-ram”, also at 90
Bar 74 The last note each time is late. The < > should be more sharply defined.
Bar 79 Modify this bar to: “et en se-ca-la se-cu-“
Bar 81 Modify to “-ca-la se-ca-“
Bar 132-3 Modify to “en se-ca-la se-ca-la-rum”